Archive for July, 2008

Using the Mini Tea Roaster / Refreshener

By Guang, 24 July, 2008, 4 Comments

We have intended to restock this mini roaster after many people showed interest and request for it. It was a great pleasure that we finally located a better source with a slightly improved design. Here I like to share – also as an instruction – how to play with this cute toy.

The new design has a 0~60 minutes timer. After you set the temperature and turn on the device, you need to set the timer to start roasting. I was told this design was intended to give users a better time control, and to prevent over-roasting thus better safety. It had happened to me when I was doing roasting and suddenly my phone rang.. and suddenly the postman came… and suddenly I smelled something burnt and the tea leaves became charcoal.

You can use it for teas as well as herbs. For example, I sometimes pick some rosemary or lavender from our garden and put them in the mini roaster. Setting the temperature to 40 for slow-releasing the fragrance or 60 or a faster room perfuming. Or if you want to dry any herb, using temperature@60 for 15 minutes, and if not enough, another 60 for 15 minutes.

For refreshening or drying the teas, the temperature may depend on the type/shape of the tea. For example, for stripe-shaped teas like yen cha or bao zhong, using temperature@60 for 30 minutes. But for pellet-shaped teas like Dong-Ding or Tie Guan Yin, using temperature@80 for 30 minutes. At the end of each 30-minute, check the condition of the teas to see if you are satisfied. If not, tossing the leaves a bit and do another 30-minute.

Refreshening will, just as its name suggests, return some freshness to the leaves and reduce the moisture content. It usually will not alter the taste/aroma profile. However, roasting is a different thing.

This device provides temperature setting to 100, which is only enough to do basic roasting. Larger or commercial roasters usually provide temperature up to 180. If you are playing with Dong Ding or even Tie Guan Yin, which have both seen more than 100degree temperature during their processing, this mini roaster can only refreshen them. If you are playing with little or non-roasted teas like High-Mountain oolongs or our Jade oolong, you can properly roast them to experience a different taste/aroma.

To do so, set temperature@ 80 for 30 minutes first. Then increase temperature to 100 for 30 minutes. Or you can set timer to 60 minutes but please do check and toss the leaves every 30 minutes.

On tip to place the tea leaves on the metal mesh (second bamboo layer) is to leave a hole at the center. The heat from the heater below can pass through the hole easily and make a more even temperature distribution inside the roaster. Otherwise, all heat has to sieve through the layer of tea leaves and can generate a temperature gradient – which sometimes cause the bottom of the leaves’ layer to over-burnt.

This is a very interesting and functional little device and tea companion. The new safety feature and a better construction are surely additional plus!

Guang :)

Tasting 2000 Zhong-Cha Kumming “Lan Tie”

By Guang, 8 July, 2008, No Comment

After the crazy price surging in 06/07 and the collapse in late 07/08, we have felt the market’s interest in pu-erhs has waned considerably but a positive and conscious attitude towards the real quality and value has also emerged.

We loved the 2001 MengKu Yuan Yieh Xian, especially the dry-stored thin-papered version. But there are probably thousands collectors all show interest in this cake, and the price of it has never seen any downside, and the availability is quickly dwindling. Irene had this goal as to locate this cake with a more reasonable price when visited Taiwan this summer. But the scarcity of this cake was quite surprising, and those who still have volume of it are not blind to the market price and pursuit of it.

Seeing the disappointment of Irene in her Yuan Yieh Xian hunting, a Taichung vendor suggested to her the slightly overlooked treasure – the 2000 Zhogn Cha Kumming “Lan Tie”. It quickly reminded me that I was very interested in this cake last year, but was distracted by the turbulent market situation. But the other fact was I had tried this cake in 2003 or 2004 in Taiwan, and was a bit discouraged by the smokiness it showed.

Re-visiting the sample Irene sent to me from Taiwan, this time I was impressed by the strength and intensity of its aroma/taste, and the smokiness has diminished quite a bit. In fact, this re-visit and the memory of its smokiness quickly reminded me of another cake – the “2007 5th Intern’l Aged Puerh Appreciation Memorial cake”. I guess I can understand better the original purpose Mr. Huang Chuang-Fan’s blending to make this 07 memorial cake.

Jou Yu – well-known for his sharp, precise and almost fastidious attitude in tea tasting – picked this cake as #1 in a blind tasting of 11 cakes of 2000 (p. 173. #1 The Art of Tea Magazine). While it was not the sweetest dear in other taster’s eyes, they all agreed on the strength, complexity and durability of it.

This is the cake we like to pursue – already has several years’ storaging history and shown promising aging signs, enough strength to guarantee aging potential, well-known and unique, and with an acceptable price. We have acquired some and expect to receive them by the end of this month.

Guang :)

Tasting 2000 Zhong-Cha Kumming “Lan Tie”

By Guang, 8 July, 2008, No Comment

After the crazy price surging in 06/07 and the collapse in late 07/08, we have felt the market’s interest in pu-erhs has waned considerably but a positive and conscious attitude towards the real quality and value has also emerged.

We loved the 2001 MengKu Yuan Yieh Xian, especially the dry-stored thin-papered version. But there are probably thousands collectors all show interest in this cake, and the price of it has never seen any downside, and the availability is quickly dwindling. Irene had this goal as to locate this cake with a more reasonable price when visited Taiwan this summer. But the scarcity of this cake was quite surprising, and those who still have volume of it are not blind to the market price and pursuit of it.

Seeing the disappointment of Irene in her Yuan Yieh Xian hunting, a Taichung vendor suggested to her the slightly overlooked treasure – the 2000 Zhogn Cha Kumming “Lan Tie”. It quickly reminded me that I was very interested in this cake last year, but was distracted by the turbulent market situation. But the other fact was I had tried this cake in 2003 or 2004 in Taiwan, and was a bit discouraged by the smokiness it showed.

Re-visiting the sample Irene sent to me from Taiwan, this time I was impressed by the strength and intensity of its aroma/taste, and the smokiness has diminished quite a bit. In fact, this re-visit and the memory of its smokiness quickly reminded me of another cake – the “2007 5th Intern’l Aged Puerh Appreciation Memorial cake”. I guess I can understand better the original purpose Mr. Huang Chuang-Fan’s blending to make this 07 memorial cake.

Jou Yu – well-known for his sharp, precise and almost fastidious attitude in tea tasting – picked this cake as #1 in a blind tasting of 11 cakes of 2000 (p. 173. #1 The Art of Tea Magazine). While it was not the sweetest dear in other taster’s eyes, they all agreed on the strength, complexity and durability of it.

This is the cake we like to pursue – already has several years’ storaging history and shown promising aging signs, enough strength to guarantee aging potential, well-known and unique, and with an acceptable price. We have acquired some and expect to receive them by the end of this month.

Guang :)

Taiwan’s Celadon Artist – Xu De Jia

By Guang, 7 July, 2008, No Comment

For lovers/collectors of fine celadon ware or teaware, we will soon introduce a selection of works from Taiwan’s famous celadon artist, Mr. Xu De-Jia.

Irene had the opportunity to visit Mr. Xu’s studio in YingGe, Taiwan this summer. Xu has made a reputation for his works of celadon (chin tzi) and celadon-white (chin bai tzi). Born in 1959, Mr. Xu started his artist career by initially focused on the design of teaware. But he was so drawn by the elegance and simplicity of Chinese traditional celadon ware of Song dynasty, he spent lots of time and effort to research the skills and firing of them.

By 1999, his works had won awards from Taiwan and Japan. And soon his celadon ware were collected by ceramic museums of YingGe, Tawian, and acquired a solid reputation among collectors in Asia.

We are very glad to be able to introduce his works to our dear customers. So please check back soon!


Guang

Taiwan’s Celadon Artist – Xu De Jia

By Guang, 7 July, 2008, No Comment

For lovers/collectors of fine celadon ware or teaware, we will soon introduce a selection of works from Taiwan’s famous celadon artist, Mr. Xu De-Jia.

Irene had the opportunity to visit Mr. Xu’s studio in YingGe, Taiwan this summer. Xu has made a reputation for his works of celadon (chin tzi) and celadon-white (chin bai tzi). Born in 1959, Mr. Xu started his artist career by initially focused on the design of teaware. But he was so drawn by the elegance and simplicity of Chinese traditional celadon ware of Song dynasty, he spent lots of time and effort to research the skills and firing of them.

By 1999, his works had won awards from Taiwan and Japan. And soon his celadon ware were collected by ceramic museums of YingGe, Tawian, and acquired a solid reputation among collectors in Asia.

We are very glad to be able to introduce his works to our dear customers. So please check back soon!


Guang